
| 2. |
Reality
is not art. Avoid reality. |
|
Reality
|
is not the answer. |
Not reality,
but creditability. |
| you have to forget it. |
If you present
reality
as reality, it doesn't entertain. |
| 1. |
Art is enhancing
reality. |
What is the reality of this:
(what kind of doctor am I.) |
Audience
will give up illusions
for reality. |
Job of actors and directors
to recreate a reality, can't fake it, do this
then that. |
|
Can't act the size you live. Real is very
dull. Heightened reality, condensed in what is
meaningful. |
|
Difference
between reality and theatre:
we are making a mirror image, a painting of something. |
If you can't go back to the principle,
you can't go back to reality. |
art
and reality basis in
reality
-
What is reality?
-
Always find the unexpected.
To resemble
reality,
it has to be conspired reality. A planned reality is not
organized, it has a ragged
edge, it is not smooth. Actors have to throw in
difficulties, that is the human dilemma. Do everything
organized, because in life
nothing is organized.
-
Acting natural
won't get you anywhere.
You have to be above the mob, you have to have fire in the
belly. If you carry dullness, you're doomed. Stand-up there and vibrate, forget
reality and just look for the
theatrical.
- Art
is not reality, art is selective reality.
- Doesn't smell of reality
in scene.
- Find the middle ground, anchored in
reality. (Scene lacks spontaneity and
reality).
- Have reality, don't make a
speech.
- Actors are humans reacting to reality,
where dancers try to be esthetic. So, don't make
pretty pictures as actors.
- Don't think of Farce as just a
series of pieces of business,
underneath it has to have
reality.
- Find the moments to sacrifice
the humor for reality.
- Go for reality, then go for
funny.
- Humor relies on reality.
Not on actor's thinking of jokes.
- Laurel and Hardy
goofy, but basis in reality.
- Make it all happen in heightened reality.
- Must achieve reality. Joke
sets up, what they are. Tell the story and get the laugh. (Couple of hypocrites.) Joke based on character.
- Only deal actuality. Create a reality.
Can't both be hysterical. Both can't be comedian. (She
is straight to his insanity.)
- Opposites, contradiction of
reality.
- Play the situation. The reality
of the situation, the humor will arise from that.
- Shtick should be closer to
reality.
- Weird but have reality of
it.
- Constant reminders of reality
in the weirdness.
"In the end, it can't
look like acting."
|