Hardest
thing to learn is to leave your body alone.
Approach your work with body
relaxed so the
emotion
can take over.
Actor is always in control, keep
your skills. Great feeling, but stay in control of your
instrument (your body).
Actor has to learn to play the violin, figuratively. It's all about emotion.
| 1. |
Act with your whole
body. |
Approach your work with body
relaxed so the emotion can take over. |
Actor's
best convince themselves that it is so, convince your body, that it is so. |
| And feel free to try all different things. Act with your
body, not just your feelings and your mind, let your body behave too. |
| Don't
get ready to do anything; your body will do it. |
| Get
loose, loosen your body. |
| Get
your body going with what you feel. |
| Just
don't act with voice, use whole body. |
| Leave
your body (talent)
alone, it will do all the right things. |
| Make
all your plans, you've told your body, don't act carefully. |
| Scene
act with your whole body, the feelings are
going, use your voice, don't bury dialogue trying to be
natural. Use colors, don't mumble. |
| When
you act, you have to act not just with your will, not just with your thoughts and feelings,
you have to act with your whole body. |
Turn your body
over to the character. If you can't do that you can't act. |
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Act with your whole body,
the feelings are going, use your voice
and don't bury dialogue trying to be natural.
Use color, don't mumble. How to make it
special, how to illuminate it. As an actor be a chef, be decorative.
-
Body remembers, does it
again and again.
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Change your manner because of words. Don't do it unless new
information or new event, why do actors do
things: fear using body, emotions fear; actors keep
sitting down.
-
Chose emotion and objective,
your body will behave in the
character.
-
Condition reflex = Teach your
body.
-
Don't get ready to do anything, your
body
will do it.
-
Don't prepare yourself to do something. Acting: ragged edge, don't smooth out things. Bring to work must
get rid of. Against mental acting. Allow the body to
do what it knows.
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Everything is happening inside of people, inner difficulties.
-
Just don't act with voice, but use whole
body.
-
Leave
your body (talent)
alone, it will do all the right things.
-
Modern acting: talk with body before
you talk with voice.
-
Radio with bodies: No, no.
-
Rub your nose in it, do it
wrong, teach the body.
-
Speak with your body before
you speak.
-
Tell your body to do
something, that's acting.
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Think objective. The
body knows what to do.
-
Think your objective, leave your
body
alone.
-
What does your body do,
your voice?
-
What is the telling of it with your
bodies.
-
What my body remembers?
-
What do I feel? Run the emotion
once, body will take over. Then just think objective. It's not emotion, emotion,
emotion...
-
When you do things like
feeling emotion and
thinking objective you don't even have to think about
doing it. It all becomes
subliminal
in your acting. Don't be conscious of all the principles of acting
once you learn them. Trust your body, your body can do many things for
you. Your body remembers.
-
You can't have your mouth doing one thing and your
body doing another. Your body
has to do what your objective is doing, what your emotion is doing. Movies are about behavior. We are watching people physically behave. And we
are reading into it all kinds of meaning.
-
Your weapon is your body.
Understanding of humor:
lesson in using body, sense of gesture, some are
funny, others aren't.
"In the end, it can't
look like acting."
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